Posts in History
Words Worth Noting - July 3, 2025

“That the issue of sexual morality should become a vehicle of rebellion against bourgeois values for the modern movement was inevitable. In the art of Gustav Klimt, in the early operas of Richard Strauss, in the plays of Frank Wedekind, in the personal antics of Verlaine, Tchaikovsky, and Wilde, and even in the relaxed morality of the German youth movement, a motif of eroticism dominated the search for newness and change. In the United States Max Eastman shouted, ‘Lust is sacred!’ The sexual rebel, particularly the homosexual, became a central figure in the imagery of revolt, especially after the ignominious treatment Oscar Wilde received at the hands of the establishment. Of her Bloomsbury circle of gentle rebels Virginia Woolf said, ‘the word bugger was never far from our lips.’ Andre Gide, after a long struggle with himself, denounced publicly le mensonge des moeurs, the moral life, and admitted his own predilections. Passion and love, he had concluded, were mutually exclusive. And passion was much purer than love. Diaghilev’s sexual proclivities were well known, and he made no attempt to mask them; quite the reverse. Stravinsky said later that Diaghilev’s entourage was ‘a kind of homosexual Swiss Guard.’”

Modris Eksteins Rites of Spring: The Great War and the Birth of the Modern Era [so the modern rebellion over the issue of sexual morality is actually stale and reactionary]

Words Worth Noting - June 26, 2025

“Running along both sides of the building’s arcade, a series of verses disparaged the doctrine of the Trinity. ‘The Messiah, Jesus, son of Mary, was only a messenger of God.’ This was not merely to reopen theological debates that Christians had thought settled centuries before, but to condemn the entire New Testament, Gospels and all, as a fabrication. Squabbles among those who had written it, so the Dome of the Rock sternly declared, had polluted the original teachings of Jesus. These, like the revelations granted prophets before him, Abraham, and Moses, and David, had originally been identical to those for claimed by Muhammad. There was only the one true deen, the one true expression of allegiance to God, and that was submission to him: in Arabic, islam. Here was a doctrine with which ‘Muslims’ – those who practice islam – were already well familiar. It was not only to be found emblazoned on buildings. Most of the verses on the Dome of the Rock derived from a series of revelations that Muhammad’s followers believed had been given him by none other than the angel Gabriel. These, assembled after his death to form a single ‘recitation’ or qur’an, constituted for his followers what Jesus represented to Christians: an intrusion into the mortal world, into the sublunar, into the diurnal, of the divine.... This gave its pronouncement on Christians, as on everything else, an awful and irrevocable force.”

Tom Holland Dominion: How the Christian Revolution Remade the World

Words Worth Noting - June 22, 2025

“inevitably, to attempt the tracing of Christianity’s impact on the world is to cover the rise and fall of empires, the actions of bishops and kings, the arguments of theologians, the course of revolutions, the planting of crosses around the world. It is, in particular, to focus on the doings of men. Yet that hardly tells the whole story. I have written much in this book about churches, and monasteries, and universities; but these were never where the mass of the Christian people were most influentially shaped. It was always in the home that children were likeliest to absorb the revolutionary teachings that, over the course of two thousand years, have come to be so taken for granted as almost to seem human nature. The Christian revolution was wrought above all at the knees of women.”

Tom Holland Dominion: How the Christian Revolution Remade the World [in context of his own saintly though herself childless godmother, a teacher]

Words Worth Noting - June 21, 2025

“The most renowned of Etruria’s products is its pottery. Every museum abounds in it, setting the weary navigator of ceramic halls to wonder what unseen perfection exonerates these stores. Etruscan vases, when they are not clearly copies of Greek forms, are mediocre in design, crude in execution, barbarous in ornament. No other art has produced so many distortions of the human frame, so many hideous masks, uncouth animals, monstrous demons, and terrifying gods.... All in all, the robbers were justified who, when they rifled Etruscan tombs, left so much of the pottery.”

Will Durant Caesar and Christ