In my latest Epoch Times column I say real “remembrance” must include remembering to be ready for the next round of big trouble in our little world.

In my latest Loonie Politics column I say the repellent UN “Special Rapporteur on the situation of human rights in the Palestinian Territories occupied since 1967” has a point that Canadian politicians must either walk the walk on their “decolonizing” talk or walk it back.

In the Epoch Times this week I praised Tom Holland’s Dominion for arguing compellingly that values we consider universal, such as “human rights”, are actually specifically Judeo-Christian in origin and I warned that they are unlikely to survive the ongoing loss of faith.

On CJAD800 with Brian Lilley I discussed the history of jiggery-pokery and worse in U.S. presidential elections.

In my latest Epoch Times column I said the scariest thing about the current debate over social programs is that there isn’t one. We tried 30 years ago, realized it was hard, gave up and spent our way to economic and social ruin.

In my latest Loonie Politics column I take up my dusty cudgel on the crucial point that our whole system of government crumples if the legislators we elect cannot control the executive we do not elect. It was true in the days of Bad King John and George III, and it’s true in those of Justin Trudeau.

“To speak of Dickens is to think of Bumble the beadle, and that carries our mind at once to a whole crowd of thick-headed magistrates, interfering philanthropists, tyrannical administrators of the Poor Law, and the like. Have you ever noticed the fact that in Dickens, in Shakespeare, in Fielding, in the whole range of English literature, a person in petty authority, a minor official hardly ever appears, except to be made ridiculous? There seems to be a deep conviction in our minds that the man who carries some wand of office is more likely than other men to be half knave and wholly fool.”

Transcript from the improbably surviving one of two records used to transport C.S. Lewis’s May 1941 talk to Icelanders, which we don’t even know if it was ever broadcast, quoted in Harry Lee Poe The Making of C.S. Lewis

“Yet The Hobbit is unlike Beowulf or any of the tales in The Silmarillion in its published form. The Hobbit represented departure from the kind of story that Tolkien loved and that he had been trying without success to write in the Silmarillion. Beowulf and all of the Norse stories that Tolkien loved shared a common plot. Simply stated is it is this: the hero fights against impossible odds and dies. The culture out of which Beowulf appeared was grim and dark. The Celtic world, which included the Germanic and Norse peoples as well as the Britons and Irish, indeed most of pre Christian Europe, believed in dreadful gods who demanded human sacrifice. The Celtic peoples offered their own children, and eventually their slaves, as human sacrifices, which they then devoured in ritual cannibalism. They did not love their gods, but feared them. The gods themselves had nothing to look forward to except their own destruction. Alliteration can be a pleasant literary device unless overdone, but it is impossible to overdo the nature of the Norse mythologies. Thus, their stories are characterized by darkness, doubt, depression, dismay, dread, despair, destruction, and death. The stories set a mood of stubbornness, suffering, sorrow, shadow, and sadness. The characters experienced treachery, torment, terror, trouble, tears, threat, and treason. The stories are tales of futility, faithlessness, foulness, fear, and folly. These disquieting words are the words used by Tolkien throughout the Silmarillion. In the Norse tales, the heroes make their journeys to death and ruin. The Hobbit represents an entirely different kind of plot. The plot, and later that of The Lord of the Rings, comes from a different culture. It is the plot that C.S. Lewis learned to love as a teenager and never outgrew. It is the story of the struggle, against all odds to the end of the world for the great prize that ends in victory and a return to home as a changed person. It is a story that comes from a culture with an entirely different kind of God – a God who journeys into time and space as a man in order to battle death itself and rise victorious. It is a story of hope rather than despair.”

Harry Lee Poe The Making of C.S. Lewis